Mr. Grossmann (
dont_turn_around) wrote2012-10-16 12:28 pm
The Abandoned Hospital

Of course, it's bigger on the inside.
When you first walk through the door, there is a staircase straight ahead. There is a hall to the left, and a ruined wall where there was once another wing to the right.
Down the hall...who knows.
If you think you know your way around...you don't.

Downstairs - left hallway
Walk carefully. It's dark.
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Dread is prickling at the back of her neck. "Homey," she says, just as much to herself (and to hear something, anything besides their footsteps) as to her companions.
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always
"Yeah." Charlie's voice isn't much louder; she's behind Liz, two paces back and one to the right. "Little overdone, I was thinking."
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She's also clutching a big gun, which sort of makes her feel better about all this.
"In that 'flashing neon sign that says HAUNTED' kinda way?"
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"Well," she says, dryly (and doing her best to ignore the sweat dampening her palms), "so far it hasn't been too renowned for subtle."
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Upstairs - straight ahead
The stairs creak under your feet. There are crumpled papers on some of the steps.
GO HOME GO BACK GO HOME
The top of the stairs is dark as night.
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In the darkness, the bed creaks and leather shifts against itself.
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Urquhart is waiting in the shadows, for the Fear to turn up and remove itself from him forever.
He won't be mad any more. He'll be better.
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She inhales a huge shuddering breath and blindly reaches out. Her hands close around something and she holds on tight, feeling the water beginning to recede around her as she bends over her knees and coughs up water.
When she opens her eyes, the building is silent and still, apart from a steady dripping somewhere. She's sitting halfway up a staircase, clutching the bannister. Water sits in pools across the foyer below her.
"Charlie?" she calls, wetly coughing again. "Olivia?"
There's nothing; there's no one. Her team is gone.
Liz takes another deep breath and then takes stock. Her flashlight and the EMF detector are gone; she's still got most of the other gear on her belt, but the tech isn't exactly going to be at its best (or work at all) after that underwater battering. Her shoulder is sore and her lungs are screaming, but otherwise, she's in one piece. She heaves herself up, plastering soaked hair out of her face, and she looks up the stairs.
Christ, it's dark up there.
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Upstairs - to the right
Someone has painted on the walls, WE ARE HUNGRY
WE ARE FULL BUT HUNGRY.
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There is no sound other than her own footsteps, and those of her companion behind her. The air is damp and carries a musty smell she cannot identify.
She cannot read the writing on the wall. She does not need to. She gets the gist of it.
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Her attention's on the doorways, once she and Leela reach the landing. One hand is on her weapon, but she doesn't draw it. Yet.
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They're in pieces, near or in the lake.
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"Leela," she says, quietly but urgently. "Do you hear that?"
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Upstairs - to the left
Start walking.
You may eventually get there.
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They can't have him, he belongs it It now.
Finally someone comes up those stairs, turns left and starts making their way down the corridor.
Behind a nearly-closed door, he waits for the rescuer to come closer; waits for the right time to strike.
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His axe is at the ready.
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Were he awake, he'd undoubtedly be struggling against the duct tape on his wrist, chest, and ankles - at the very least, trying to make some sort of noise.
As it is, he's still, his head bowed, eyes closed.
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Third floor
There are stains on the floor and graffiti on the walls.
DON'T LOOK OR IT TAKES YOU
NO EYES
SEES ALL
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She is not sure if it has taken a long time.
Perhaps the strangest thing is that her own scent-trail stops cold just a few feet behind her and around a corner. It would be more problematic if the option of cutting her way out did not remain. Adamantium is good for such things.
But here and now --
She flicks a look at the graffiti, the scar on her palm burning for just a moment.
To her right, a noise, low and fast-moving.
snikt
Some places a child's high-pitched giggle really does not belong.
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Or so the laughter would suggest.
It's coming from just up ahead, now-- and one of the doors inches outward with a slow crrrreak.
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She can't quite help it.
But that same strange scent-that-isn't one is the only thing she detects. That and --
Her own?
Carefully, silently, X moves closer to the door.
Her plan is to keep out of the way of any potential sight lines.
Just in case.
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The laughter is louder this way.
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